SOLO INSTRUMENT (with or without electronics)
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Alborada (2004), for soprano saxophone (40”)
info - Alborada (2005) for soprano saxophone and CD (50" ca.) info - Desde el instante (2002), three pieces for clarinet (6-7')
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Estudios concretos (2017), for guitar and electronics (12')
info - Hacia el umbral del aire (2005), for accordion and digital electro-acoustic support -4 chnls or stereo version, (7’) info - Huayra Yana (2003), for bass-flute and digital electro-acoustic support -4 chnls or stereo version, ( 10’ )
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Inoltre (2017), for piano and electronics (8')
info - Im Windesweben II (2013), for solo French horn (5' ca.) info - Invención (2002), for violin solo (0'40” ca.) info - Lacrymosa I (2001) for accordion for any keyboard aerophone instrument (4')
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Lacrymosa I-a (2016)
, for accordion and electronics (4’)
info - Orior (1997) for forte piano or piano solo (7') info - Primer libro del canto alado (2006), for piccolo, flute, flute in G and bass flute -1 player- (6’ ca.)
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Tensión Tranquila I (2020), for oboe and electronics (13')
info - Tiento (2000), for solo cello (6-7’) info - Tiento (2004), version for violoncello and electronic sounds -CD- version (7’ ca.) info - Tres estudios para violín (2001) (9 -10' ), for violin solo (14')
DUOS (with or without electronics)
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Broken columns in a false horizon (2022), for violin and piano (7'30")
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Interstizi (2003) for violin and violoncello (13')
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Espira III (2008-2009), for violin and accordion (11’ ca.)
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Iridiscente (2010-2011), for pno., perc. (1 player), electronics and optional video (10 ’)
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Montuno y canto (2006), for 2 violins ( 1’ )
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Reflejo espiral (2000), for flute in G and perc. ( 4’ )
TRIOS (with or without electronics)
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Ad imitationem moduli (2004), for violin, viola and violoncello (4’)
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De ignoto cantu (2003), version for 3 players: for Bass cl., Perc., Vc. and electronic sounds (CD) ad libitum ( 8’ )
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Sones (2001), for violin, violoncello and piano (2-3’)
4 PLAYERS
info - Espira I, Espira II (2005), for guitar, piano, violin and violoncello (8’ ca.)
info - Espira IV (2012), for recorder, bass clarinet, violin and cello (10'30" ca.)
info - Imágenes de la Caída de Altazor (2003), for 2 pianos and 2 perc. (14’)
info - Im Windesweben III (2002), for flute, oboe, clarinet in Bb and bassoon (7” ca.) info -
Masih (2012-2013), for saxophone quartet ( ca. 10’ )
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String quartet No. 1 (2009), (17-18’)
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String quartet No. 2 (2015), (25-26’)
5 PLAYERS (with or without electronics)
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Claroscuros (2001), 5 players: 2 clarinetists, bass-trombone, cello and double-bass (12-13’)
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De ignoto cantu (2004), version for 5 players & optional electronics: Bss.-cl., Tpt,. Perc., Vl., Vc. & CD ad libitum ( 8’ )
info - Figuralmusik I (1996), for 5 players: flute, clarinet, violin, violoncello and piano (8’)
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Im Windesweben IV (2002), for flute, oboe, clarinet in Bb, French horn and bassoon (3” ca.)
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Luz (2000), for accordion and string quartet (16-17')
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Natura interiore (2016, from Beethoven: "Diabelli Variations", Var. No. XXVII) , for 5 players: Fl., Eng. hr., Vl., Vla., Vc. (40")
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Quinteto (1994), for flute, oboe, clar., bssn., Hr. (5')
info - Rosa mutabile (2010), for 5 players divided into 2 groups: A) fl., guit., vla.; B) bss.-cl., perc. -1 player- (8'30")
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Segundo libro del canto alado (2006), for clarinet and string quartet ( 9’ )
6 AND 7 PLAYERS (with or without electronics)
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Hemisferios Artificiales (2002), for 6 players divided into 2 groups: fl., cl., 1 perc., pno., vi. and vc. ( 8’ )
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HIgh over the distant horizon (2018), for electric organ, pno., cello, 4 moving players (fl., b. cl., perc., vl.) and electronics (13')
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Intermitencias (2009), for accordion and ensemble (5 players: Fl., Bb Cl., V., Vla., and Vc.) (12’)
info - The unexpected clock in the mirrors (2005), for vl., bss. cl. and ensemble of 5 players: Fl. - + Picc. & Bass Fl.-, Cl. (+ Bass cl.), V., Vc. and Pno. (12’)
ENSEMBLE (with or without electronics, from 8 players)
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Ecos (2002), for 8 players: 2 Cl., 2 Ob., 2 Bssn., 2 Hr. divided into 2 wind instruments groups (8’)
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El suspiro del Ángel (2006), for 15 players divided into 3 instrumental groups and electro-acoustic support -4 channels-. (10’30”)
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Exabrupto (1997-98), for 15 players divided into 3 instrumental groups, piano and perc. (16’)
info - Fénix, (naturaleza visible), double chamber concert for two guitars and ensemble (25')
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Figuralmusik II (1996), for 10 players (10/11’)
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Figuralmusik II/a (2003), for 10 players and electronics (CD) (8’)
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Móvil, cambiante (2017), for 14 instruments ( 18’ )
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Oltre (2017), for 10 instruments ( 10’ )
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Sinfonía mixta (2006-2008), for 16 players (divided into 3 instrumental groups) and electronics. (21’)
VOCAL MUSIC WITH INSTRUMENTS
info - Canti naturali (2022), for soprano and piano (6')
info - Destellos, abismo (2007-2010), for voice and ensemble (5 players: Fl. - Cl. - Perc. - Pno. - Vc.), texts: J: .anuel Recillas (15') info - ...en el aire... (2002), for sopr. and 5 players (Fl. - Cl. - Pf. - V. - Vc.), on a text by Eduardo Torres Maldonado and phonems inspired on a poem by Octavio Paz (6-7')
info - Tombeau de Donatoni (2020), for soprano, flute, bass clarinet and piano (13') info - Un lume per lo mar (2016-2018), for countertenor and string quartet (12') info - Ximohua (1997), for voice and wind quintet on texts by Nezahualcoyotl (9/10’)
VOCAL MUSIC (with or without electronics)
info - Ancienne chanson corse: un portrait imaginaire (2020), for 20 male voices divided in four groups in the space (12')
info - Juegos Fantásticos (Jeux Fantastiques) (2012), for 3 children choirs, fem. choir, didjeridoo and electr. (15') info - Uris (1999), for mixed choir -16 voices- on texts of Rumi, Cino da Pistoia, and Thibau de Navarre (6’30”)
WORKS FOR THE STAGE
info - Sidereus Nuncius (2007), for percussions (3 players), dancers and electro-acoustic interactive system (50’)
info - Un posible día, quasi un radiodramma (2011), for fem. voice, actor, ensemble, electronics and oprional video (50’)
info - Viaje (2007), chamber opera or dramatic musical action for 4 singers, 4 musicians and electronics (55')
ORCHESTRA info - Como el viento (2002), for orchestra (12’) info - Currentes (2003), for orchestra (10’) info - Esferal (2006), for orchestra and CD (11’) info - Di natura artificiale (2015), for orchestra (12’)
info - Silueta (2001), for orchestra ( 6’)
info - Tres invenciones "Haydn" (2005), for orchestra ( 10’)
SOLOISTS AND ORCHESTRA
info - Figuralmusik III (1998), for flute, oboe, clar. and string orchestra (8-9’) info - Obscuro etiantum lumine (2004), for violin and 3 orchestral groups (12’)
ACOUSMATIC WORKS
info - Aurae (2000), electro-acoustic composition -stereo- (7’53”)
info - Enim adscititios accidentalesque a Stellis fulgores adimit (2009-2016), stereo, 4 and 8 channels version (6'54")
info - Fontane (2004), electro-acoustic composition -stereo version- (5’42”)
info - Jardines Artificiales (2020), electro-acoustic composition (8'38")
info - Jardín Privado (2020), electro-acoustic composition -stereo- (1'30")
info - Ventus aniname (2007), electro-acoustic composition -CD, stereo version- (5’42”)
VIDEO (collaborations)
info - Fontane (2004), video by Elisa Franzoi and Sara Maino based on the composition of Javier Torres Maldonado "Fontane" (5’42”)
WORKS INCLUDED IN FILM PRODUCTIONS
info - Un gioco arditto. Film. Italy, Portugal, Spain, 2006. Duration: 100'. Direction and screenwriting: Francesco Leprino. Production: Al Gran Sole, Milan. It includes Ad imitationem moduli, for string trio (see "chamber music").
