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CATALOGUE OF WORKS

by genre

The information about "Works for the stage", "Orchestral works" and "Acousmatic works" will be soon completed.

Mobirise

My music is published by Edizioni Suvini Zerboni, Milan, with the exception of two works published by Universal Edition, Vienna: Orior (1997), for piano or fortepiano, and Tres Estudios para Violín (2001), for solo violin.

For any information about my scores please contact my publisher by e-mail or send me an e    -mail to: tmjavier[at]gmail.com .


SOLO INSTRUMENT (with or without electronics)

info - Alborada (2004), for soprano saxophone (40”)
info - Alborada (2005) for soprano saxophone and CD (50" ca.) 
info - Desde el instante (2002), three pieces for clarinet (6-7') 
info - Estudios concretos (2017), for guitar and electronics (12') 
info - Hacia el umbral del aire (2005), for accordion and digital electro-acoustic support -4 chnls or stereo version, (7’) 
info - Huayra Yana (2003), for bass-flute and digital electro-acoustic support -4 chnls or stereo version, ( 10’ ) 
info - Inoltre (2017), for piano and electronics (8') 
info - Im Windesweben II (2013), for solo French horn (5' ca.) 
info - Invención (2002), for violin solo (0'40” ca.) 
info - Lacrymosa I (2001) for accordion for any keyboard aerophone instrument (4')
info - Lacrymosa I-a (2016), for accordion and electronics (4’) 
info - Orior (1997) for forte piano or piano solo (7')
info - Primer libro del canto alado (2006), for piccolo, flute, flute in G and bass flute -1 player- (6’ ca.)
info - Tiento (2000), for solo cello (6-7’) 
info - Tiento (2004), version for violoncello and electronic sounds -CD- version (7’ ca.) 
info - Tres estudios para violín (2001) (9 -10' ), for violin solo (14')


DUOS (with or without electronics)

info - Interstizi (2003) for violin and violoncello (13')
info - Espira III (2008-2009), for violin and accordion (11’ ca.) 
info - Iridiscente (2010-2011), for pno., perc. (1 player), electronics and optional video (10 ’)
info - Montuno y canto (2006), for 2 violins ( 1’ )
info - Reflejo espiral (2000), for flute in G and perc. ( 4’ ) 


TRIOS (with or without electronics)

info - Ad imitationem moduli (2004), for violin, viola and violoncello (4’) 
info - De ignoto cantu (2003), version for 3 players: for Bass cl., Perc., Vc. and electronic sounds (CD) ad libitum ( 8’ ) 
info - Sones (2001), for violin, violoncello and piano (2-3’) 


4 PLAYERS

info - Espira I, Espira II (2005), for guitar, piano, violin and violoncello (8’ ca.) 
info - Espira IV (2012), for recorder, bass clarinet, violin and cello (10'30" ca.)
info - Imágenes de la Caída de Altazor (2003), for 2 pianos and 2 perc. (14’) 
info - Im Windesweben III (2002), for flute, oboe, clarinet in Bb and bassoon (7” ca.) 
info - Masih (2012-2013), for saxophone quartet ( ca. 10’ )
info - String quartet No. 1 (2009), (17-18’) 
info - String quartet No. 2 (2015), (25-26’) 


5 PLAYERS (with or without electronics)

info - Claroscuros (2001), 5 players: 2 clarinetists, bass-trombone, cello and double-bass (12-13’)
info - De ignoto cantu (2004), version for 5 players & optional electronics: Bss.-cl., Tpt,. Perc., Vl., Vc. & CD ad libitum ( 8’ )  
info - Figuralmusik I (1996), for 5 players: flute, clarinet, violin, violoncello and piano (8’) 
info - Im Windesweben IV (2002), for flute, oboe, clarinet in Bb, French horn and bassoon (3” ca.) 
info - Luz (2000), for accordion and string quartet (16-17')
info - Natura interiore (2016, from Beethoven: "Diabelli Variations", Var. No. XXVII) , for 5 players: Fl., Eng. hr., Vl., Vla., Vc. (40")
info - Quinteto (1994), for flute, oboe, clar., bssn., Hr. (5') 
info - Rosa mutabile (2010), for 5 players divided into 2 groups: A) fl., guit., vla.; B) bss.-cl., perc. -1 player- (8'30")
info - Segundo libro del canto alado (2006), for clarinet and string quartet ( 9’ )


6 AND 7 PLAYERS (with or without electronics)

info - Hemisferios Artificiales (2002), for 6 players divided into 2 groups: fl., cl., 1 perc., pno., vi. and vc. ( 8’ ) 
info - HIgh over the distant horizon (2018), for electric organ, piano, cello, four moving players (flute, bass clarinet, percussion, violin) and electronics.
info - Intermitencias (2009), for accordion and ensemble (5 players: Fl., Bb Cl., V., Vla., and Vc.) (12’)
info - The unexpected clock in the mirrors (2005), for vl., bss. cl. and ensemble of 5 players: Fl. - + Picc. & Bass Fl.-, Cl. (+ Bass cl.), V., Vc. and Pno. (12’)


info - Ecos (2002), for 8 players: 2 Cl., 2 Ob., 2 Bssn., 2 Hr. divided into 2 wind instruments groups (8’) 
info - El suspiro del Ángel (2006), for 15 players divided into 3 instrumental groups and electro-acoustic support -4 channels-. (10’30”) 
info - Exabrupto (1997-98), for 15 players divided into 3 instrumental groups, piano and perc. (16’) 
info - Figuralmusik II (1996), for 10 players (10/11’) 
info - Figuralmusik II/a (2003), for 10 players and electronics (CD) (8’)
info - Móvil, cambiante (2017), for 14 instruments ( 18’ )
info - Oltre (2017), for 10 instruments ( 10’ )
info - Sinfonía mixta (2006-2008), for 16 players (divided into 3 instrumental groups) and electronics. (21’) 
    

VOCAL MUSIC WITH INSTRUMENTS

info - Destellos, abismo (2007-2010), for voice and ensemble (5 players: Fl. - Cl. - Perc. - Pno. - Vc.), texts: J: .anuel Recillas.
info - ...en el aire... (2002), for soprano and 5 players (Fl. - Cl. - Pf. - V. - Vc.), on a text by Eduardo Torres and phonems from a poem by Octavio Paz. 
info - Un lume per lo mar (2016-2018), for countertenor and string quartet. 
info - Ximohua (1997), for voice and wind quintet on texts by Nezahualcoyotl (9/10’) 


VOCAL MUSIC (with or without electronics)

info - Juegos Fantásticos (Jeux Fantastiques) (2012), for 3 children choirs, fem. choir, didjeridoo and electr. (15') 
info - Uris (1999), for mixed choir -16 voices- on texts of Rumi, Cino da Pistoia, and Thibau de Navarre (6’30”)


WORKS FOR THE STAGE

info - Sidereus Nuncius (2007), for percussions (3 players), dancers and electro-acoustic interactive system (50’) 
info - Un posible día, quasi un radiodramma (2011), for fem. voice, actor, ensemble, electronics and oprional video (50’)
info - Viaje (2007), chamber opera or dramatic musical action for 4 singers, 4 musicians and electronics (55')


ORCHESTRA

info - Como el viento (2002), for orchestra (12’)
info - Currentes (2003), for orchestra (10’)
info - Esferal (2006), for orchestra and CD (11’)
info - Di natura artificiale (2015), for orchestra (12’)
info - Silueta (2001), for orchestra ( 6’) 
info - Tres invenciones "Haydn" (2005), for orchestra ( 10’) 


SOLOISTS AND ORCHESTRA

info - Figuralmusik III (1998), for flute, oboe, clar. and string orchestra (8-9’) 
info - Obscuro etiantum lumine (2004), for violin and 3 orchestral groups (12’)


ACOUSMATIC WORKS

info - Aurae (2000), electro-acoustic composition -CD, stereo- (7’53”)
info - Fontane (2004), electro-acoustic composition -CD, stereo version- (5’42”)
info - Ventus aniname (2007), electro-acoustic composition -CD, stereo version- (5’42”)


VIDEO (collaborations)

info - Fontane (2004), video by Elisa Franzoi and Sara Maino based on the composition of Javier Torres Maldonado "Fontane" (5’42”)


WORKS INCLUDED IN FILM PRODUCTIONS

info - Un gioco arditto. Film. Italy, Portugal, Spain, 2006. Duration: 100'. Direction and screenwriting: Francesco Leprino. Production: Al Gran Sole, Milan. It includes Ad imitationem moduli, for string trio (see "chamber music"). 


Contact:

Email: tmjavier[at]gmail.com  

Other links:

Spotify profile 
Schott Music 
Apple Music


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